"The book
is most comprehensive, leaving nothing unnoticed. It gives all that
is needed to make a perfect needlewoman of a mere tyro . . . The
most complicated stitches could be learned by one who had never
before held a needle."
Miss Smith’s Cutting Out for Student Teachers
was also used, and Lady Carlisle extolled the virtues of needlework
in the introduction.
Though I thus believe in women entering into their full and
rightful inheritance in the realms of learning, politics, administration
and professional life, I cling whole-heartedly to the conviction
that they must not abandon in their new quest any of the delicate,
lovely home duties which have been the pride and the joy of our
women-folk for centuries past, both in the stately homes
and in the cottage homes of England.
Times were changing - and were about to change |
quite drastically—but
women were still struggling to reconcile past and present. Lady
Carlisle spoke as an advocate of women’s rights, but was loathe
to deny the traditional skills of her sex. This persistence in holding
to past ways led to teaching
 |
Marion and Ida were quite adept at drawing and
taking notes themselves, as their own workbooks show. Writing
careful directions in ink in notebooks made with graph paper,
they outlined the critical steps of each stitch or technique.
Such painstaking work must have been almost as time-consuming
as handling the needle and thread. |
Basic sewing stitches
from Marion’s student notebook. |
|
Perfectly drawn illustration
for damask patch from Marion’s student notebook. |
Continued Page 16 |