When
we think of how girls learned to sew a century ago, many of us have
a picture of the young ladies sitting at their mothers’ knees,
carefully stitching dresses for their dolls. While this image most
certainly reflects the experience of some, many other girls learned
in a more formal setting, the traditional classroom. Fortunately
for those of us who love needlework, examples of their lessons and
books survive to show us how they learned. And in the case of two
young sisters in England, their lovely and extensive collection
has been preserved together, and is available for viewing to visitors
of the Bette Todd Wages Vintage Clothing Museum
in Gainesville, Georgia.
|
Marion (left) and Ida Routledge |
|
Marion and Ida Routledge
were born in Liverpool England in the 1890s. Marion was the elder
sister and attended the Liverpool Technical College of Domestic
Science in 1911; Ida followed in 1915. Apparently the curriculum
was considered satisfactory, because Ida’s books and projects
were the same as those of Marion four years earlier - even the fabric
used for working the specimens was almost identical.
Most sewing classes began with the basic stitches,
and the school in Liverpool was no exception. It’s unlikely
that girls in their teens were totally new to needlework, but nonetheless
they learned running, hemming, seaming and other fundamental techniques
which they demonstrated on samplers or specimens. Methods of constructing
clothing were next, though plain work - nightgowns, shirts, petticoats,
infants’ dresses, and similar items - were the focus. Then
came simple embroidery stitches which were used to adorn such items
as baby gowns and handkerchief cases. Marion and Ida were schoolgirls
when “lingerie dresses” were the height of fashion,
and they also became proficient in making the lovely garments, frothy
with valenciennes lace insertion and whipped frills, both by hand
and machine. And finally, their curriculum included dressmaking
and some tailoring techniques, as the fashions of the day also saw
women wearing tailored skirts and jackets.
The textbook for the girls’ sewing classes
was Needlework for Student Teachers, by
Amy K. Smith. Miss Smith’s beautifully detailed volume had
been popular since its first edition in 1892, selling over 30,000
copies by 1908. Like any good publisher today, Sir Isaac Pitman
& Sons, Ltd. did not miss an opportunity for promotion, quoting
almost three dozen private and press reviews. According to The Board
Teacher (surely the pun was unconscious):
Continued Page 15
|